Frame profiles
& materials.
A curated selection of the mouldings, mats and finishes we work with most — each chosen for its craft, character and conservation integrity.
A profile for every
intention.
Our mouldings are organized into three collections — each united by a shared character, finish and intent. Browse frame corners and finished examples within each profile.
The Signature Series
Our most-requested profiles — the frames our clients return to again and again.
Antique Brass
Aged brass with a brushed, distressed patina.
Ornate Gold
Bright gilded gold over an undulating classical profile.
Champagne Silver
Burnished champagne silver with soft ridges.
Weathered Silver
Muted silver with warm brushed undertones.
Brushed Pewter
Matte pewter with a subtle directional grain.
Burnished Gold
Antique gold with dark, rubbed-away recesses.
Oxidized Bronze
Heavily oxidized bronze with copper warmth.
Verdigris Gold
Weathered gold with greenish-grey undertones.
The Wood Series
Natural and figured woods — warm, tactile profiles cut from solid timber and veneer.
Straight-Grain Walnut
Medium-brown walnut with a clean, linear grain.
Reeded Ebony
Dark charcoal wood with fine vertical reeding.
Figured Burl
Alternating bands of dark and ochre figured grain.
Mahogany with Gold Lip
Deep mahogany framed in espresso with a gilded inner lip.
Carved Bark with Gold Bevel
Rustic hand-carved bark with a polished gold bevel.
The Artisan Series
Hand-carved and cast ornaments — gilded foliage, reeding, and relief.
Laurel-Leaf Gilt
Gilded laurel border over a swirling antique-gold ground.
Reeded Antique Gold
Rhythmic vertical reeding with darkened antiqued recesses.
Foliate & Corduroy Bronze
Foliate outer trim, ribbed centre, and a smooth gilded bevel.
The mat is the
breath around the art.
A well-chosen mat gives the work room to live — and the right board keeps it alive. We cut every window by hand from archival stock, with a reverse bevel that never touches the art.
Museum Cotton Rag
100% cotton, naturally acid-free and lignin-free. The archival standard used by museums — bright, stable, and kind to art for generations.
Originals, fine art, and heirlooms.
Alpha-Cellulose
Purified wood-pulp board, acid-free and calcium-buffered. Archival protection at an honest value, available in a wide neutral palette.
Photography, prints, and editions.
Black Core
Acid-free mat with a deep black core that throws a crisp shadow line at the bevel — a striking accent for high-contrast and dark artwork.
High-contrast and monochrome work.
Fabric-Wrapped Linen
Archival board wrapped in genuine linen, with a deep hand-cut bevel. The textile texture adds depth and a couture finish to the presentation.
Portfolio pieces and luxury presentations.
The right glass
protects the work.
Glazing is the final layer between your art and the world. We offer four grades — each chosen for clarity, protection, and the character of the piece it shields.
Regular Glass
Clear, everyday picture glass. An honest, affordable choice for non-sensitive prints and everyday pieces.
Prints, posters, and replaceable art.
UV Glass
Filters up to 97% of harmful ultraviolet light to slow fading and protect valuable works from light damage.
Originals, photography, and heirlooms.
Museum Glass
Anti-reflective, virtually invisible glass with 99% UV protection — the standard of museums and serious collectors.
Fine art, valuable originals, and dark works.
Plexi Glass
Lightweight acrylic glazing that won't shatter — ideal for oversized frames, shipping, and public spaces.
Large works, transit, and public spaces.